You could say that in terms of the reality of Brexit, the vast majority of people who voted for it have:
been sold a pup.
In the days following the Brexit vote, I heard many stories from non-white friends about an increased level of racist attacks. They were harangued at bus stops, in shops, just walking through town by people demanding to know why they were “still here” when the Brexit vote was to “take our country back.” This anecdotal evidence is sadly backed up by numerous reports and actual scientific research.
Now, I’m not saying that everyone who voted leave did so for racist reasons but let’s look at the issues around that campaign in the form of this handy tag-cloud generated by ITV at the time:
Hmmm… what’s that big word in the middle? I can’t quite make it out? Oh yeah – IMMIGRATION! STOP THUH IMMIGANTS STEALIN OWR JOBS!!! AND WIMMINS!!111!! BRINGIN OVER THEH SEASONED FOOOD AND NON-ROMAN NUMERALS!!!!!
Now, you may be reading this and thinking, “This is an outrage! I voted for Brexit and some of my best friends are darkies!” Well, fucking congrats to you ~ you’re the one person who voted in Chancellor Hitler purely because of your concern for train timetabling. But let’s be honest about the company you keep, eh?
Moving on… the hilarious thing about the fuckwit racists having a go at my fellow non-whites is that their votes will mean that the first people to leave Britain will be foreign European workers. I know Poles, Lithuanians, Germans and others who are thinking of moving back to their respective homelands because of Brexit. All of these people happen to be as white as new-fallen snow.
Do you see?
The Brexit campaign whipped up a xenophobic frenzy, promising, in the eyes of the people it was swindling, a return to GREAT BRITAIN, a Britain free from immigrants. And when racists hear the word ‘immigrants,’ the first ethnic groups they think of are not white, trust me.
And then what happens? SURPRISE, WE’RE ALL STILL HERE!
Which leads me inexorably back to:
The idiomspig in a poke and sell a pup (or buy a pup) refer to a confidence trick originating in the Late Middle Ages, when meat was scarce, but cats and dogs were not. The scheme entailed the sale of a suckling pig in a poke. The bag, sold unopened, would actually contain a cat or dog, which was substantially less valuable as a source of meat. The French idiom acheter (un) chat en poche (to buy a cat in a bag) refers to an actual sale of this nature, as do many European equivalents, while the English expression refers to the appearance of the trick.
This trick may be the origin of the expression “letting the cat out of the bag“, meaning to reveal that which is secret (if the would-be buyer opened the bag, the trick would be revealed).
Nationalism is a perverse stupidity necessarily contained within borders. Wisdom is truly international.
So, be careful when you see those buses emblazoned with how much extra money the NHS will get if you Vote Boris. Because you’re probably being sold a pup. Or, as the Zulu say, ” Ukuthenga ingulube esesakeni!”
One of the things I find most tedious about het porn is the INEVITABILITY of the sequence of sex actions. It’s always shit dialogue, oral (usually only one way, mind), vaginal, cumshot. Maybe they’ll throw in some anal, maybe they’ll go foot mad or something. But that’s it.
as an old, old man who remembers before it was all quarks round here, I am dulllllled dulll eduelsl argh by this.
Why not start with vaginal penetration and end with a light cheese omelette? And, no, I don’t mean a cum omelette ~ we’ve ALL eaten a cum omelette, I mean a piquant cheese omelette with a souffle-ish texture and a sprig of parsley on top. Hold the blat.
Why not have the bloke come in an eggcup, put it on the roof of his car and then drive to the seaside? You could dub some oldey-timey Harold Lloyd music over this bit. It’d be mint. I wouldn’t know whether to wank or clap.
Why not have the woman dressed up as godzilla and do that metallic SKRREEEKKKKK with every penile thrust? Perhaps she could shoot metal fire out of her arse when she fake-came?
I mean, they say everything has been done but that’s just a lazy excuse dreamt up by postmodernists because they couldn’t be arsed to open their curtains in the morning. Those ideas above are FRESH and EDGY and NOT BEEN DONE BEFORE.
i stfg, I come on here at fucking stupid o’clock, wishing I was dead and feeling worse inside and then one of you twats will do a post of statements wherein all the reactions are SPONGEOB SQUAREPANTS and I just fucking lose it.
I’m crying more than the end scene of blue is the warmest colour
in other news, a woman in Birds actually called me ‘duck’ when I went in to buy a cob earlier and i had to have a little cry in the car before going home
in other other news – the a52 is still fucked up and wth is going on in notts?
Last weekend, I did a nude shoot with the lovely Tania, as pictured above.
I’ve published one nude book so far and done numerous shoots but most of them are kept private as the models are sensitive about families / partners and what they’d think.
So, it’s great to babe able to actually publish these shots, LIVE, on the nets! Woohoo!
I was nervous because it was a paid shoot, we had limited time and I have very definite ideas about what I don’t want to do. For a start, you will never see retouching on any of my pics. You will see digital cropping, levels, colour vibrancy and the very, very occasional spot removal at the request of a model.
I regard women as naturally beautiful. It’s my quest as a photographer to try and capture how *I* see women and share that with the world. In my non-nude portrait work, models will regularly say to me, “Oh, you’ve made me look beautiful!” And I have to correct them, no I didn’t. The beauty is all theirs; all I did was stand at the right spot at the right time and capture the right rays of light.
Fundamentally, if you’re retouching the shit out of your portraits or nude work until the women look like bizarre Uncanny Valley replicants, then you are doing something wrong. Here’s my advice to you:
STOP. CONSIDER THE DAMAGE YOU ARE DOING. WOMEN ARE SEEING YOUR IMAGES AND WONDERING WHY THEY DON’T LOOK LIKE THAT. YOU ARE PART OF THE PROBLEM.
Look, I’m a sociologist, I’ve read enough Kristeva and Barthes and Bazin to realise that every photographic image is not only a construction, it is an argument. I’m not arguing from some naive stance of ‘realism’ or ‘essential truth.’ I believe every image is a semiotic hand grenade, fling them around without concern and you will be hurting people.
To stretch the metaphor past breaking… this nude shoot was a minefield for me! I want to represent Tania’s beauty and personality, I want to show how the light hugs her hips and kisses her abdomen. BUT I don’t want to be part of the same old bullshit discourse where all naturalism is lost in the effort of creating an ephemeral, anonymous ur-female, in trying to capture the immanent.
So, have a look at my pics of Tania. Question how they make you feel. Question why I made them – what the fuck am I trying to say? What can I say in nude female photography that hasn’t been said a million times already?
Then, when you have the answers… write a book about it, don’t send it to me! 😛
@BBCR1#furries If you’re gonna talk about a subculture, it might help if your presenters don’t piss themselves laughing at it whilst introducing the clip. *hint* don’t become sociologists… ?
Seriously, though. First of all – who under 40 hasn’t even heard of furries in 2018? I cannot believe two YOUNG AND HIP AND HAPPENING Radio 1 DJs are so fucking out of it that they’re like, “WHAT IS THIS? PEOPLE DRESSING UP AS ANIMALS?”
But, leaving that aside – what gives these DJs the right to laugh at another group of people? So they like getting dressed up as animals and having conventions and making like-minded mates? Is that just not 18-pints-of-lager-and-a-shag-outside-a-chip-shop enough for you?
I’m reminded of all the fucks who used to laugh at me for liking comics when I was a kid. Bullying starts with laughter.
So, I’m currently trying to watch the pilot episode of Legion, a new TV show based on the Marvel character.
But… I’ve already lost interest.
Because, even though this is being shown on Fox, the show has been infected with the new scourge of TV: NETFLIXITIS.
The infection was first spotted in a very benign form in the series Sense8. This charming series, about people scattered around the world sharing a psychic link, had very pacey stories. Every ep, we’d get fights and chases and hot threesomes. But every now and then, there’d be meaningless, pointless shots. These would be mostly slo-mo travelogue stuff: the kind of footage you want to see only when you’re evaluating whether a new DSLR has bad rolling shutter. They didn’t advance the story, they didn’t help flesh out the characters. They did nothing but look vaguely pretty.
In and of themselves, these little langours did little to harm Sense8. They were way offset by the actual meat of the programme.
BUT THE INFECTION SPREAD! IT GREW WILD AND WOOLLY!
Cue The OA, a series deliberately made to be unwatchable, to challenge you with its endless hours of faux-profound shots of… well… nothing much happening. And then there are the openly risible sequences set in heaven / multiverse hub / a hippy’s bedroom with that spooky lady and the floating galaxies and the ‘OH WOW! PATHS TO DIFFERENT DIMENSIONS!’ and… well, you get my point. The final payoff of The OA, that violent vogueing can save the day is really, really, REALLY not worth the hours of my life wasted on this pseudy piffle. It’s the televisual equivalent of taking a children’s book and then simply adding word after word until it’s the length of War And Peace. There is zero added *meaning,* the only similarity is length.
Netflixitis is directors padding out what would make perhaps 90 minutes of riveting TV into a whole season. They have the Netflix dosh, the pitch was a killer and now… and now they have to deliver an actual series. But they haven’t really got enough content for that many eps!? WHAT TO DO?? Easy, just pad every ep with pointless scenes, intercut it with un-related footage of bees or a factory or starlings flocking to make it seem, like, y’know, DEEP and then, hey presto, you’ve got your required number of eps.
The first ep of Legion just finished. I typed all this while I was watching, knowing I could be inattentive because, y’know, FUCK ALL WAS HAPPENING. The entire hour could have been boiled down to fifteen minutes. All the ‘IS THIS REAL?’ ‘IS ANYTHING REAL?’ bullshit was so laboured, so overdone that I am done and over, this series. Gonna cancel the series link, buh bye.
My life is simply not long enough to be wasted by Netflixitis.
I’m quite willing to put effort in. I actually stayed in the cinema when other people walked out on ‘Tree Of Life.’ I understand that some art takes longer. But The OA is not Derek Jarman’s ‘Blue.’ The padding in these series is not the product of artistic decisions, it’s a product of having time to fill, money to fill it and a heinous lack of editing.
Art thrives on limits. In some alternate universe, Netflix has a vicious in-house executive editor pruning these sprawling, bloated messes into great telly.