My reply to the above:
If you compare TOS to reboot BSG, then it may look dated and certainly the effects are *now* inferior. BUT at the time TOS came out, it was a revolutionary series, in terms of both conception and (where the studio allowed!) execution. The first inter-racial kiss on US TV: check. A bridge crew of officers which included numerous human ethnicities AND Spock? Check. A future which is has abolished money and where education, food, shelter and healthcare are free for every human? Check. And it’s well known that Roddenberry actually wanted to push even further but the studio wouldn’t have it.
BSG may be absolutely “sexier” and “grittier” but *for the time it was made and released*, it took far fewer risks than TOS. So, BSG may seem edgier but, really, how many real risks did it take compared to TOS? None that I can remember.
Also, I would argue that dystopias are lazy, we’re drowning in them! Every new YA is set in a dystopia with a plucky Mary Sue-ish heroine torn between two boys, one bad, one good, both gorgeous and, like, totally into her. I’m not saying BSG is the same as Divergent or Maze Runner or The Hunger Games but it is Yet Another Robot Uprising Armageddon. It’s hard to write a happy song, very easy to write a sad one. Roddenberry’s genius is that he wrote a happy song that wasn’t The Frog Chorus. (see also Iain M. Banks’ Culture.)
Dystopia… pah, gimme a UTOPIA, like Roddenberry did. Give me an Earth with a mature, cohesive humanity, a place of wonder and beauty that can inspire us now. (And then pit that world against all kinds of wild, external baddie, sure.)
You can’t watch TOS now as it actually was back then because TOS itself changed the world. Trek permeates everything. BSG is quality entertainment, Trek is an entire philosophy of life.