So I watched ‘Ruby Sparks’ with my bff last night and we both loved it. I thought it was a harsher criticism of the masculine reductionist view of women than she did, possibly because she dislikes men less than I do. Also, there was a lot that I recognised and that made me uncomfortable as a man, obviously that’s not going to apply to her.
Unlike romcom fluff, this film is real. Which is ironic since it’s a fantasy. What does that say about Western culture and its pernicious norms of romance, love, sex and sexuality?
If you haven’t seen it yet, go and buy it. Zoe Kazan both wrote and stars in it and is most definitely a woman to watch.
Just under a week ago, I bought myself an Xbox One. I’m not an avid gamer but I saw all the hoohaa promo blah blah and I guess I fell for it. Here’s my initial impressions based on six days with the Xbone.
Well, it started off badly. As soon as it booted, it needed an update. Really, MS? You can’t let the new owner have fun for a few minutes before updating? Bad start.
Once that had all done, I started trying all the much-hyped new features. The Xbone is, after all, meant to be your new media hub, playing films, blu-ray, music, everything.
So, I went to the Videos clicked it and….
… you have to install the Videos app.
Okay, seems weird. So, I headed over to the Music bit and…
… you have to install the Music app.
In fact, every single thing you want to do, apart from pop a game disc in, it seems you have to install an app. Even the vaunted social feature where you can record gameplay and upload clips, even that requires another install!
This is like buying a mobile phone, switching it on and then having to install an app to text, an app to make calls, an app to take pictures.
It’s clunky and totally, utterly Microsoft. It made me fantasise, briefly, about a parallel universe where I had unboxed the Apple iGame 4 and enjoyed the cosy welcome screen and a seamless, logical GUI, no extra install needed. Of course, it’d probably cost even more than the Xbone does.
So, for immediate user experience of the console: 6/10.
Pluses so far: the new Kinect seems very cool. And voice control actually works! I was quite amazed by how well it works, to be honest. We’re not far from the Minority Report benchmark judging by this.
Onto the gaming experience. I got Battlefield 4 with my Xbone and that’s fun. I mean, it’s shooty shooty, like how manly we are, gruff voice, YES SIR! NO SIR! standard teenage boy shit. But it’s nicely done and looks good, even if it has the narrative complexity of a spoon. Does anyone, apart from aforementioned teenage boys, take this macho horseshit seriously, though? Corny doesn’t even being to address my deep reservations. The USA as the heroes, the country that invaded Iraq and killed 1.2 million innocents? The country currently launching terrorist drone attacks on any wedding party it sees in Pakistan?
After a while, I tired of yet more lame US propaganda and headed to the store and…
… there are no games
Well, that’s not quite fair. There appear to be 28 in the online store. But that’s including things like Zumba Fitness World Party, Powerstar Golf and Extreme Tiddlywinks. Hardly the tentpole games one would want for a new generation of console. I’m most excited by Titanfall but that’s not out till March now and, in its absence, there are no huge games that aren’t PS4 too.
As an extra poke in the eye, Xbox One games retail for sometimes *twice* as much as the 360 version. Is it worth paying the markup? No ~ the graphics aren’t hugely different and they are, in every other respect, exactly the same game. All of which seems like a huge con trick that I, gullible fat fish that I am, have swallowed.
Look, maybe once Titanfall and other Xbox One exclusives come out, I’ll feel a little happier. Maybe there will be new games that make me gasp at the power of this next-gen brick. But, for the moment, my general feeling is that I’ve handed over my cash and been very, very underwhelmed at what it bought me.
I saw around thirty films this year, this is my ranking of my favourite twenty! 😀
The biggest surprise was ‘The Secret Life Of Walter Mitty,’ which I only saw on the off-chance as my bestie got free tickets. It’s hugely deeper, funnier and more beautiful than the original, as dis-similar as the noughties remake of ‘Battlestar Galactica’ is to its precursor.
There were some real stinkers this year but I shan’t comment save for their omission from this list. You can probably work it out for yourself. 😉
Now, on with the list!
20. This Is The End
Immensely, ridiculously stupid. Worth it for Cera’s performance alone.
19. After Earth
Very maligned in reviews but I loved it! Rollicking action and some lovely SF touches.
11. Now You See Me
Wonderfully twisty without being showy and Caine steals the show, ironically.
Hmm, Arterton and Ronan keep popping up, don’t they? Which is fine by me as they are powerful, adept actresses. This film may have floundered with other leads but they completely sell it. Modern vamping has a new benchmark.
9. Iron Man 3
A return to form after the bloated second film, this one has a razor-sharp script. Downey covers a huge gamut in his fleshing-out of Stark as a playboy, a hero and, always, a proper knob.
8. Les Miserables
Surely the best modern musical, particularly as all the singing is live, shot in scene. Faultless acting from the entire cast, how is any new musical going to compete with this magnificence?
Denzel Washington has never, ever, ever delivered a bad performance. The man should be dripping with Oscars. Here, he walks the most difficult of tightropes portraying a complex, conflicted character. And he brings him to life as only Washington can.
For some reason, this film got largely drubbed in reviews. I found it moving, surprising and pretty much faultless. Cruise is effortlessly heroic in that trademark Cruise way which only increases the levels of weird when we find out who he actually is: not a hero at all. The layers questioning identity, authenticity and memory are what make the film for me. Olga Kurylenko is as radiant as she is sure-footed, charting Cruise’s character’s descent/ascent. Special prize for M83 for their gorgeous soundtrack!
5. Cloud Atlas
Forget the cameos, forget the ‘OOH, THAT WAS HIM! OMG!,’ as much fun as it is, the real point of ‘Cloud Atlas’ is its sprawling, proud complexity. It delights in detail, be it future replicant-staffed bars or dark sailing ships. I loved the ride it took me on and the eventual connection of so many disparate elements. It is an epic film in the best, most noble sense of the word.
Sadly, I’ll never get to see space with my own eyes but I feel I came damn close watching ‘Gravity’ in IMAX 3D. This is a film that makes the most of the pure spectacle of cinema, jetting the audience into a world as serene as it is deadly. However, it isn’t all about the spectacle, Bullock is microscopically nuanced in her central role, heroic whilst still being human. I found the first part of the film unbearably tense because I *knew* shit was going to kick off but had no idea when. So, ‘Gravity’ is more thrilling than most films that are attempting to be thrillers. And I will be re-watching it on the small screen because it isn’t empty bombast, like most action films, it’s a film about human passion, creativity and brilliance.
3. The Secret Life Of Walter Mitty
As I said, I was caught unawares by this film. I’d expected something fluffy and throwaway, what I got instead was a treatise on existentialism, regret, hope and, ultimately, the ephemeral nature of life. Stiller’s film is a triumph for him, both as director and actor. His everyman Mitty exudes the same worn charm I see on so many passing middle-aged faces as I’m shopping in town. And more than occasionally in the mirror. There are sly twists in that we are shown that he’s actually been extraordinary all along but didn’t see it (the skate-bonding scene with Wiig’s kid). So, Stiller wants us to question our own lives; perhaps we, too, are extraordinary but don’t see it? In tone, this film reminds me most of ‘The Truman Show,’ it has that same surreal tone and quest narrative. It also has the most stunning cinematography of the year, Iceland and Greenland are thrown up in sparkling, magical detail on the big screen and yet again I’m reminded of why I hate CGI landscapes so much. Embedding Mitty’s character arc in these stunning locations frames it perfectly. This is a gorgeous film, in every way.
2. Wreck It Ralph
I had high hopes for ‘Wreck It Ralph’ and these were met and then exceeded. There is so much in this film, so many layers and, like Toy Story, Wall-E and other honourable predecessors, ‘Wreck It Ralph’ is only half a kids’ film. The other half is very much a film for adults in its themes of sacrifice, redemption and duty.
Perhaps the most bizarre aspect of the film is its focus on the notion of dharma. Ralph is a bad guy and doesn’t want to be a bad guy, even though it’s written in his very code and is the only reason he exists. So, he sets out on a journey to not be the bad guy. Along the way, the little girl her rescues turns also to have deflected from her rightful path, but this time by another character who, surprise, is also manifestly adharmic. When the film ends, Ralph is happy with his lot as a bad guy because he realises that is who he is and that he can best help the world by being who he should be. Thus, we have a completely Western narrative selling the audience this most Indian of perspectives. Well, it surprised the fuck out of me, anyway.
I re-watched the film three days ago with my niece and nephew, 47, 11 and 13 respectively. We all laughed at the funny bits, aahed at the sad bits and enjoyed playing ‘spot the game character.’ There aren’t many films that can work for such a huge range of ages, let alone present such a multi-layered narrative.
1. Star Trek Into Darkness
I am a Trekkie. I’ve been one for at least the last forty years. One of my essays for the final year of my degree was on themes of utopia/dystopia in Trek. I got a first-class honours pass. So, that’s my bias with all things Trek.
However, that doesn’t mean I leave my critical faculties disabled when watching Trek. For every ‘First Contact,’ there is a ‘Nemesis,’ for every ‘Let That Be Your Last Battlefield,’ a ‘Fair Haven.’
I was blown away by ‘Into Darkness.’ I watched it three times at the cinema and two more at home. As I hoped when I saw the 2009 reboot, Abrams launches us into a full adventure this time around. From the first opening set piece, this is widescreen, engaged Trek. We know the reboot characters, they know each other and we jump into a familiar Trek universe.
When I first saw ‘Into Darkness,’ I knew Cumberbatch was portraying the villain but I had no idea who he was. And I’m glad I didn’t, it made the reveal sweeter. Cumberbatch’s ubermensch is also the perfect foil to Pine’s human, imperfect Kirk. This is also cleverly established by having seven shades of shit knocked out of Kirk by Klingons and then seeing those same foes brushed aside like irritating flies by Mr. Super Villain.
I also love ‘Into Darkness’ for its political and moral heart. As much as ‘Revenge Of The Sith’ criticised Bush’s fascistic mindset in his horrific “war on terror,” ‘Into Darkness’ rails at Obama’s murderous foreign policy. I won’t say exactly how because this is a spoiler-free zone but the point is not subtle so you won’t miss it. When Pine’s Kirk rejects that evil, he re-affirms everything that is positive about Star Trek and about Roddenberry’s original vision of a better, peaceful future of interstellar co-operation. Never forget, the Enterprise is not a warship, it is primarily on a mission of exploration.
I also have to give just praise to Bruce Greenwood for his portrayal of Admiral Pike. As Kirk’s surrogate father, Greenwood is masterful in his restraint, playing his disappointment when Kirk’s an ass perfectly. We feel every part of Kirk’s pain in that failure and his love of Pike.
So, in ‘Into Darkness’ we have science fiction that addresses genetic determinism, political drama that grapples with the USA’s current role as the biggest rogue state in the world and we have intricate, tiny moments of the essential human dramas of love, death, loss, hope.
‘Star Trek Into Darkness’ is a brilliant film, a meaningful film and easily the best film of 2013.